Sly and the Family Stone cut a phenomenal swath through the landscape of popular music in the late 1960s and early 1970s, blowing up music festivals (including Woodstock) and releasing some of the greatest rock and roll music ever recorded. Happy 69th birthday to Sly Stone! In honor of his birthday, PopMarket.com is offering this Sly and the Family Stone CD bundle today at the exclusive discount price of $49.99!
The Morton Report recently interviewed Ray Manzarek of The Doors, and asked him about collaborating with Sly Stone for the new album "I'm Back! Family & Friends." Manzarek contributed to the classic "Dance To The Music" for the new album. When asked if he wanted to play on the album, Manzarek said, “Who wouldn’t, for God’s sake. Yeah I was very excited, of course.
Sly Stone's new album, "I'm Back! Family & Friends" is now in stores! The album, which features collaborations with artists including Jeff Beck, Bootsy Collins, Ray Manzarek, Ann Wilson and more, has received a three-star review in Rolling Stone! The magazine wrote, "Of prime interest are three new songs – a brass-and-organ-driven take on the gospel standard "His Eye Is on the Sparrow" and two originals: the gutbucket funk of "Plain Jane" and "Get Away," a gorgeous soul vamp with a refrain – "Keep singin' that melody!" – that whets the appetite for a full-fledged Sly comeback."
Bootsy Collins was honored to contribute to Sly Stone's new album, TheMortonReport.com reports. I’m Back! Family and Friends is in stores August 16th and features Bootsy on "Hot Fun In the Summertime." "It’s one of those kind of songs where, you know, you’re in your convertible and you’ve got the top down," he said. "It’s perfect for me to be on. It’s one of my all-time favorites."
The Morton Report has published an interview with drummer Carmine Appice, who talked about recording for Sly Stone's new album, "I’m Back! Family & Friends," which will be released on August 16th. “They gave me a couple of song choices. So we did 'Stand!' and it went great," he said. "I actually had Sly’s voice singing in my ears. He wasn’t in the studio with me, just on the tape. They did a basic track with a basic drum machine or drummer, and then they actually gave out the track that way with Sly’s voice on it. So everybody was able to listen to Sly. I said, 'That’s very cool. I like that.'"
Read more at TheMortonReport.com
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